Friday, January 21, 2011

CD REVIEW: 'Welcome Home' - Rehab


by Chad Cooper, January 2011

Rehab
Welcome Home
(Universal Republic)

Country-fried, you could say. Maybe Uncle Kracker-esque, but much cooler.

This seven-piece from Warner Robins, Ga., which is southeast of Atlanta, is back with their fourth major release, second on Universal Republic.

If you are one of many who know Rehab because of their smash hit "Bartender" song, it's time to put brown gravy on that chick fried steak instead of the usual white.

This 10-song record starts mellow with "#1" then gets down and dirty with "Oh My." If you are looking for something similar to "Bartender," then check out the final track "Rideout Chick."

Despite a calmer vibe on this project, this song will remind you of the old Rehab. The chorus reads; "She's my little rideout chick, that I hideout with, 12-pack right beside her. And when it all goes down, she'll still be around, even if I don't wife her. My little rideout chick, tough little bitch, swear she got it goin' on. Says I can take her 'bout anywhere with me, just as long as I don't take her home."

What separates Rehab from the Uncle Kracker's of the world is the truth and sincerity behind the lyrics written by lead singer Danny Boone.

This album is much more calmer that previous Rehab records, but it shows their diversity.

Here's a plus — buy the CD and have them sign it whey they perform live at The Gig on Crockett Street in Beaumont, TX on Feb. 19 headlining the 2011 Lack of Luxury Tour.

Click here to purchase Welcome Home

Official Rehab website
Follow Rehab on Facebook

Tuesday, January 18, 2011

88 Miles West featured on celebrity blog site


88 Miles West was featured on the popularity celebrity blog website, Celebslam: Shocking Tales and Tawdry Behavior! after photoing celeb Andy Dick on the red carpet of the 2011 AVN Awards in Las Vegas on Jan. 8.

We were in Las Vegas for the 2011 Adult Entertainment Expo and were invited to photo the red carpet at the AVN Awards.

While shooting the red carpet, photographer David Block saw Dick being escorted off the red carpet and causing a ruckus.

Those photos can be seen here on Celebslam.

Sunday, December 26, 2010

2010: A look back at the year in live music

by Chad Cooper

This past year, 2010, we saw a plethora of live shows from Houston to Kinder, Louisiana.

We walked away from many thinking, man, that show really 'rawked.' And some, well, were just okay.

Powerman 5000 helped christen Beaumont's newest venue, The Gig on Crockett Street, on Oct. 29. The show also featured The Hunger and local bands Forever Falls and Angel Siren. It was just a good night of rock-and-roll, which attracted a great crowd.

Another live music/multi-purpose arena that opened was Nutty Jerry's in Winnie and country music star Dwight Yoakam was the first to play the joint Sept. 19 with a crowd of over 3,000 fans.

The Carnival of Madness Tour featuring Shinedown, Chevelle, Puddle of Mudd, Sevendust and 10 Years rocked the Cynthia Mitchell Woodlands Pavilion on Aug. 21. A near-capacity crowd of 15,000+ piled in for the show. Mix the large crowd with sweltering Texas heat and what you have is an awesome show.

Buzzfest XXV was one for the ages Oct. 23 at The Woodlands Pavilion as Godsmack, Bush, Filter, Papa Roach, Saving Abel, Sick Puppies, Neon Trees, Paper Tongues, Seether (just to name a few) played two stages. It's hard to go wrong with a Buzzfest.

A few of those mentioned above played smaller venues including Filter at Scout Bar in Clear Lake on July 23, Saving Abel played Whiskey River on Sept. 24 and Sick Puppies played both Scout Bar (July 21) and Whiskey River (Oct. 1).

Brett Scallions and the newest members of Fuel performed Nov. 11 at Whiskey River. The crowd was thin and Scallions was battling the flu, but the show was still one to see.

The Sextasy Ball 2010 stopped at Scout Bar in Clear Lake on Aug. 11 and featured Lords of Acid and Thrill Kill Kult. The show was a sell out.

Framing Hanley proved they belong on the national rock scene. The band from Nashville played The Gig on Nov. 30, which was their second time in Beaumont in as many years.

Hed PE is one of the best live bands we've seen. They sold out the Scout Bar in Clear Lake on Nov. 13 and the juggalos and juggalettes were out in full f0rce. Face paint and all.

Coop's Top 10 shows of 2010
1. Powerman 5000 w/The Hunger @ The Gig (Oct. 29)
2. Buzzfest XXV @ The Woodlands (Oct. 23)
3. Sick Puppies @ Scout Bar in Clear Lake (July 21)
4. Hed PE @ Scout Bar in Clear Lake (Nov. 13)
5. Carnival of Madness Tour @ The Woodlands (Aug. 21)
6. Framing Hanley @ The Gig (Nov. 30)
7. John Conlee w/Bobby Bare @ Nutty Jerry's (Oct. 16)
8. Tantric @ Scout Bar in Clear Lake (Aug. 14)
9. Filter @ Scout Bar in Clear Lake (July 23)
10. Fuel @ Whiskey River (Nov. 11)

Block's Top 10 shows of 2010
1. Buzzfest XXV @ The Woodlands (Oct. 23)
2. Carnival of Madness Tour @ The Woodlands (Aug. 21)
3. Sick Puppies @ Scout Bar in Clear Lake (July 21)
4. Cheap Trick w/Starship @ Coushatta Casino (Dec. 4)
5. Powerman 5000 w/The Hunger @ The Gig (Oct. 29)
6. Lords of Acid w/Thrill Kill Kult @ Scout Bar in Clear Lake (Aug. 11)
7. Filter @ Scout Bar in Clear Lake (July 23)
8. Hed PE @ Scout Bar in Clear Lake (Nov. 13)
9. Dwight Yoakam @ Nutty Jerry's (Sept. 18)
10. ZZ Top @ Ford Pavilion (April 24)

Friday, December 17, 2010

INTERVIEW: Bellamy Brothers


by Chad Cooper, December 2010

If not for brothers Howard and David Bellamy, there may not be any Brooks and Dunn, Big & Rich or Montgomery Gentry.

They’ve recorded over 50 albums and charted more than 50 songs with 20 No. 1 hits like “Let Your Love Flow,” “If I Said You Had a Beautiful Body Would You Hold It Against Me,” “For All the Wrong Reasons,” “Sugar Daddy” and “Redneck Girls.”

The legendary Bellamy Brothers will perform at Nutty Jerry’s in Winnie on Friday, Dec. 17 with doors opening at 7 p.m. Tickets are $30, $20 and $12. Information can be obtained at nuttyjerrys.com or (409) 296-2406.

Both born in Darby, Florida, which is near the family farm where they today call their home, the two were raised around music as their father played music and began performing at local events like rattlesnake rounds and such, then were introduced to country music musician Jim Stafford.

The younger David wrote “Spiders and Snakes,” which became a big hit for Stafford, and gave the brothers enough money to move to Los Angeles to pursue a music dream. It was then they signed with Curb Records and the rest is history.

Before heading overseas to play 10 shows in Switzerland, Howard Bellamy talked with 88 Miles West about his career in music and what it still means to tour the world.

The Bellamy Brothers are still going strong some 35 years later.

I don’t know how relevant we are, but we still do about 175 shows a year and still enjoy traveling the world. We are still having fun and drawing good crowds so it’s a good feeling. Dave and I don’t know much about doing anything else so I guess that’s why we stuck with it so long.

Growing up in a home with your dad, a musician, was it just natural to follow in his footsteps?

We were raised on a cattle ranch in central Florida and grew up listening to him play music with his friends, drink a little moonshine until our mother got tired of it, then go to church on Sundays. That’s how we were raised. We just started playing music for the fun of it and never had a clue you could make a career out of it.

You’ve done an incredible job at it because your songs can still be heard today.

We don’t have a certain approach to writing songs, just try to write really good ones. We’ve been lucky to have some songs that have had long lives. That’s probably the reason why we are still playing. People love those songs and the radio keeps playing them. Times are so crazy now that people love to flashback to the good times.

You are internationally known and have a great following in other countries. Not many in country music can say that.


Actually, it started that way from the very beginning. “Let Your Love Flow” was a No. 1 pop record in 15 countries around the world and it was a hit in Europe before it was played in the United States. Because of that song, it opened up a lot of international doors then came ‘...Beautiful Body,’ which also did very well. We’ve been touring the world for the entire 35 years. It wasn’t something that came later in our careers. Before we play at Nutty Jerry’s, we will be flying in from Switzerland.

It must have been some good times with Jim Stafford. He’s a character.

We spent a lot of time with Jim in the early ’70s. He is an incredibly talented guy and performer. Stafford was raised around another Florida boy, Bobby Braddock, so it was a nest of musicians here and we all knew each other. We moved out to Los Angeles for about five years to pursue our career, that’s where we recorded ‘Let Your Love Flow’ and Stafford recorded ‘Spiders and Snakes,’ which David wrote. We actually lived in Stafford’s basement for a time period along with Gallagher, the comedian. He was Stafford’s road manager for a while. You talk about a nut house. We saw the sledge-o-matic being invented.

How did you guys come to the idea to record the album ‘Reggae Cowboys,’ which was a Reggae record?


Being born and raised in Florida in the orange groves, we worked for our dad out in the field and during the fall when the fruit ripened, the Jamaicans would migrate to Florida and pick oranges in November. We worked with them picking fruit and we loved it because they would sing all day, you know, to break the monotony of work, they would sing island songs. We were exposed to a lot of that. Between that and listening to dad play old Jimmy Rodgers’ songs, it was something we really enjoyed. Maybe that’s why we are so confused musically.

You and David released a song called ‘JalapeƱos’ early this year. It wasn’t a typical Bellamy Brothers’ song. Radio stations wouldn’t play it because some of the content in the lyrics. You reference life isn’t like a bowl of cherries, more like a jar of jalapenos because what you do and say today, it don’t go away and stay, it comes back and burns your ass. Plus there are mentions of President Obama, Glenn Beck, Tiger Woods and Bernie Madoff. What inspired that?

David wrote it. We like to make fun of politicians and lawyers; you know, those people who like to make our lives miserable. We were seeing how many people we could tick off and did a pretty good job of it.

Do you keep up with the current country music scene?

We do. We have accepted the fact you are not going to see us on charts because of the politics in radio and record labels, but we like several new acts — especially Miranda Lambert. We’ve become good friends with her and Blake Shelton and have been invited to their wedding.

Anything new coming up that you guys are working on?

We still live on our old family ranch in Florida, which has been in our family since 1870. People always wonder why we didn’t move to Nashville, but it’s because we have some deep roots there. We’ve had a studio there for several years now and we’re always in there recording or writing. There’s still a lot of material to be recorded. Exactly what the next project will be, we haven’t decided yet. We like to do stuff that hasn’t been done and try to stay current. We’ve never given up yet on having another hit record.

Official Bellamy Brothers website
Official Bellamy Brothers Facebook
Click here to purchase Bellamy Brothers music

Friday, November 26, 2010

INTERVIEW: Grand Funk Railroad


by Chad Cooper, November 2010

One of the most popular rock bands in history continues to spread their original sound with dozens of shows each year.

Selling over 25 million records, Grand Funk Railroad produced great hits like “I’m Your Captain (Closer to Home),” “Walk Like a Man,” “The Loco-Motion,” “Bad Time,” “Shinin’ On,” the remake of “Some Kind of Wonderful” and the timeless “We’re an American Band.”

Two of the original members, Don Brewer (drums/vocals) and Mel Schacher (bass), joined forces with vocalist Max Carl (of 38 Special), former KISS guitarist Bruce Kulick and keyboardist Tim Cushion to continue the legacy of Grand Funk Railroad.

Their history dates back to 1968 and just a few short years later, they were selling out arenas across the globe including Shea Stadium in New York. In 1971, GFR sold out Shea in a record 72 hours, which was previously held by The Beatles.

Brewer spoke 88 Miles West about the life and times of GFR.

Do you remember the first band you ever played in?

The first band I ever played in, I played guitar. I think was 12 or so. It was like an elementary school band. We were a three-piece and the drummer just had a snare and symbol with a trumpet player. We were called the Red Devils because we all wore red pants. While I was doing that, I worked my way into the junior high band. I started playing clarinet (my mother thought I would be cute if I played it). Eventually I played in the high school band and worked my way up to first chair but one day our director said he needed guys to be in the drum department for the marching band. All that was back there were girls and they can’t carry them. So I thought girls and I’m the only guy — I’m in. My dad was thrilled. He was a drummer back in the Depression days and played on Saturday nights for food and beer. He later got me a drum kit and showed me how to play.

One of GFR’s first shows was the Atlanta Pop Festival in 1969. Did your career take off from there?

Yeah, it really did. Mark (Farner) and I had been in a band together for several years with some local success in Michigan. We had played with Terry Knight and the Pack then Terry went on to New York to work for Capital Records and I kept in touch with him. He wrote me a letter and said record companies were looking for trios. So I got with Mark and we hooked up with Mel Schacher from Question Mark and the Mysterians. We finally had a few songs and Terry flew out and saw the band and that’s basically the start of Grand Funk Railroad. We changed our named to Grand Funk Railroad and our booking agent knew a guy putting together this festival down in Atlanta. We rented a van and trailer, on our dime, and went down there and played. They put us on as the opening act on opening day. We blew the crowd away and was asked to play two more times. It was one of those miraculous moments.

Was it common for drummers to also sing vocals?

Even before I started drumming, I sang some lead in the bands I played in. It just came natural for me to play drums and sing. I learned how to play drums by singing to records. It wasn’t really common, but there were drummers who sang like Buddy Miles, Don Henley and Phil Collins.

There were several times that GFR released two albums in one year.

It was a part of our record deal and most were like that. They wanted you on the road all the time and in the studio. They wanted as much product as they could get. Our contract was for two albums per year and two tours to support those records. You didn’t spend more than a week recording. We’d take a few weeks off, then rehearse and go on the road and play a 40-show tour. Then come off that, take a week off and go back to working on a new album.

What inspired the song ‘We’re an American Band?’

We were touring in support of the album Phoenix. It was the first record that we had produced ourselves because we had just split from Terry (Knight). He was suing every city we toured and we were just making a transition from being under his wing to being our own band. Radio was also changing so we had to make a three-minute hit single. The thought came into my mind as we went from town to town and I had this line that kept popping into my head — We’re comin’ to your town we’ll help you party it down. So it finally came into my head that ‘We’re an American Band’ and it sounded good. I sat down and started writing some chords and took some stories from each city that I had gathered and just made a story out of it.

GFR had some pretty interesting album covers. All the Girls in the World Beware!!! had bodybuilders with your heads imposed on them.

We had a publicist named Lynn Goldsmith, who was our second manager’s girlfriend. She was a marketing person and had all these ideas including posing nude on bales of hay.
That album had the hit song ‘Some Kind of Wonderful,’ which was originally recorded by Soul Brothers Six in 1967. How did you come to record that one?

It was one of those things where we were sitting in the back of the car from the hotel to the show and I started singing ‘I don’t need a whole lots of money’ and we would sing it acapella. It was an old R&B song with actually some Gospel in it. We always listened to this R&B station back in Flint called WAMM and they always played it and that’s where we first heard it. It was inspiring as a song and we always used it as a warmup as we were going to the gig. As we were putting material together for that album, our manager at the time said we should do that song and we did.
You guys collaborated with some heavy hitters like Frank Zappa, Bob Seger and Todd Rundgren. Any particular motives or reasoning behind that?

It was a real rush. We were trying to separate ourselves and become our own band. We knew how to make hit albums, but we needed help making hit songs and give us a kick. With Zappa, we all went to see the movie 2000 Motels and in it, Frank mentioned Grand Funk Railroad, so we thought let’s call Frank. It was very fun and inspirational to do.

How does it feel to be Homer Simpson’s favorite band?

Oh man, it’s great. They wanted to use our song ‘Shinin’ On,’ which is a song Mark and I co-wrote. In the episode, Homer is explaining to his kids about Grand Funk Railroad and says ‘the wild shirtless lyrics of Mark Farner, the bong-rattling bass of Mel Schacher and the competent drumwork of Don Brewer.’ There is no better stamp of approval.

Photos of GFR performing @ Nutty Jerry's
Official GFR website
Click here to purchase GFR music